For the creation of DRAMA we used as working material the identity, history and opinions of each performer/dance maker. During this collaborative process we investigated memory and desire. We reinforced the performers attitudes and emphasized their creative presence. They unveiled their own secrets to offer to this process what was the most intimate on them. It was a generous process shared and reflected in the group. We dedicated time to talk about those things we are not able to hold on to, to grasp, to grab on to or to define. DRAMA was created under the perspective of YES, and it was made by the path of truth. The goal was to lead BTG to reach a compelling and authentic dance.